Erinnerungen an die Berge (2015) / Memories of the Mountains (2015) Realistische Malerei / Realistic Painting 2015 Erinnerungen an die Berge (2015) / Memories of the Mountains (2015) 100 x 120 cm Acryl / Acrylic Leinwand / canvas The painting depicts a carefully constructed landscape composition with an interesting interplay of perspective, color, and structure. Here is an expert assessment: 🎨 General Assessment Artist: Philipp Josef Daum Title (presumably): Wall and Mountains Method: Acrylic on canvas Dimensions: 120 × 100 cm Year of Creation: 2015 Location: Sassenberg 🧱 Compositional Analysis The work is divided into two strongly contrasting areas: Left half of the painting: A dominant red brick wall draws the viewer into the foreground and creates depth. The diagonal lines of the wall create a vanishing perspective that leads into the landscape. Right half of the painting: An open, expansive landscape with a fence, strips of meadow, and an imposing mountain range in the background. This composition conveys expanse and tranquility in contrast to the proximity and severity of the wall. The chosen perspective creates a tension between limitation and freedom, which lends the work a thematic interest. 🌄 Color and Lighting Design The bold earth tones of the wall and ground contrast with the clear blue of the sky and the white of the snow-capped mountains. The vegetation (red blossoms in the foreground, green bushes, colorful flowers on the fence) brings life to the otherwise architecturally austere setting. The lighting conditions suggest mid-morning or afternoon sun, with clear, flat shadows. 🖌️ Technique and Execution Solid mastery of the acrylic technique: even coverage, clean color transitions. The mountains are suggested in an impressionistic manner, while the wall and fence display a more graphically precise execution – an appealing stylistic contrast. The brushwork and paint application are controlled but not sterile – they demonstrate a sure hand. 💬 Interpretation The painting could be read as a metaphor for the view from limitation to freedom – from near (wall, flowers) to far (mountains, sky). It possibly reflects a longing for expanse and nature, which is clearly expressed through the composition of the image.